Maryam Yahaya Biography
Maryam Yahaya (born on July 17, 1998) is an actress from Nigeria who works in the Kannywood film industry. Her role as the lead in Elnass Ajenda’s film Taraddadi brought her notoriety.
Maryam Yahaya’s performance earned her a nomination for the 2017 City People Entertainment Awards’ Best Promising Actress.
In 2018, she received a nomination for the City People Entertainment Awards’ Best Actress category.
Yahaya had a lifelong desire to perform and was influenced by the Hausa films she saw.
She made her screen debut in Gidan Abinci and went on to play small roles in the films Barauniya and Tabo before becoming well-known for taking on a leading role in Ali Nuhu’s sensational Mansoor.
Maryam Yahaya Wikipedia
Full Name: Maryam Yahaya
Stage Name: Maryam Yahaya
Age: 26
Date of Birth: July 17, 1998
State of Origin: Goron Dutse, Nigeria
Nationality: Nigeria
Professions: Actress, Model
Ethnicity: Nigerian
Tribe: Hausa/Fulani
Height: cm or inches
Marital Status: Single
Net Worth: $1000
Instagram: @real_maryamyahaya
TikTok: @maryam__yahaya
Twitter: @realmaryamyahya
Facebook: Maryam Yahya
Maryam Yahaya Rise To Fame
Nigerian actress, most known for Mansoor (2017), one of her films. On Instagram, she has more than two million followers.
Her first significant part was as an actress in the 2017 movie Mansoor.
In 2017, she was a nominee for the City People Movie Award in the Kannywood Most Promising Actress of the Year category.
Nigeria’s Goron Dutse, Kano, is the place of her birth.
She is a Nigerian actress who shares a similar style with Funke Akindele.
Maryam Yahaya Background
The day and the name Mansoor are difficult to forget, whether or not she remembers the exact date. Mansoor, an FKD production, was the subject of Maryam Yahaya’s first significant acting role.
Ali Nuhu, the man in charge, decided to proceed with the plan after actress Balkisu Shema, who was supposed to play the lead role, failed to show up for an unspecified reason on December 19, 2016.
Maryam Yahaya was cast in the lead role after a quick audition. That wasn’t as simple as I just stated because a lot of things had to happen before Maryam’s status as a regular backup singer abruptly changed to that of a superstar.
As per customary with all other Kannywood film sets, one of the assistant directors, Alfazazee Muhammad, opened the proceedings with a prayer.
Just before that, I observed how other people arrived at the set, utilizing various mobilities from various regions both inside and outside of Kano.
Individuals such as Alfazazee, Umar M. Shareef, and others were from Kaduna; the previous evening, I traveled from Gombe.
This demonstrated the wisdom of dedication, at least from many of us who were aware of our tasks.
Scene 8, the first shot, marked the start of the actual shooting. That day, if I forget anything, it won’t be from the list I just gave.
The producer, Naziru Dan Hajiya, made several odd movements before the opening scene, as I noted.
He looked dejected as he made several phone calls. Shortly after, there was a small conversation, followed by a few inquiries concerning the logistics, lodging, transportation, and general well-being of the actors and crew, among other things.
Balkisu Shema was finally dropped by Ali Nuhu due to a no-show and no-call infraction.
Out of about fifteen actresses, he called all of them in and chose only two; he gave them lines to rehearse and timed them as well.
After a short while, he called on whoever was ready among the two; they were all silent for a moment, and then one of them came out looking so anxious, but braver than the other I assume.
To help Maryam envision how the situation should look, Ali Nuhu and Yunusa Mu’azu rehearsed one of the lines. Alongside Umar M. Shareef, the co-lead actor, she descended.
The combo of self-esteem, improvisation, and a hint of mimicking made it incredibly compelling. Nuhu found precisely what she was searching for.
Ali Nuhu spoke swiftly, “Ke kinci Kawai,” meaning “you got it.” It was so amazing that even I was in shock!
Maryam’s standing instantly shifted; she entered the room as a backup performer and left feeling simultaneously dreamlike and starlike.
The set featured other sequences soon following the first one, however not in chronological order. Several scenes later, Shema decided to appear.
Was she running behind schedule? Was she on schedule? Or did she simply lose out on a fantastic opportunity—possibly the only one—to appear in FKD’s movie? These may have been the questions she’s been wondering since entering Yan Dutse, a private school located across from Kano Capital School.
To cut a long tale short, Shema turned to face Ali Nuhu and expressed her regret for whatever trouble she may have caused. Naturally, nobody was pleased with what she accomplished.
Who cares, though? “I’m happy with Maryam’s delivery of the exact service I need,” That’s what I thought was going through Ali Nuhu’s head at the time. Another way to put it is, “I don’t give a damn, I’m the boss here.” Yet Ali Nuhu treated Shema kindly.
He assured me that our relationship would not change and that everything was acceptable.
I am not holding you responsible for what happened. But we’ve already gone so far that there’s no turning back now (not exactly his words).
Shema found it difficult to feel this way because so many performers were vying for a role in an FKD film. Someone was given the opportunity, but they squandered it right away.
Surprisingly, Shema had no valid explanation for being late because her contract had already begun when her lodging, transportation, and meals were arranged.
Shema’s cold demeanor at the moment of the shock made me briefly pause before interviewing her. I decided to go for Maryam instead.
Goron Dutse is where Maryam Yahaya was born in Kano. After completing her elementary education in Yelwa, she relocated to Bokabo Barracks, where she completed her high school education.
She always wanted to be an actress, even as a young child. Maryam was influenced and captivated by the majority of Kannywood films she saw as a child.
Her parents are very rigid and conformist when it comes to moral upbringing, just like many other Muslim girls from northern Nigeria, yet she was able to persuade them to allow her to pursue an acting career.
In contrast to numerous other Kannywood actors, Maryam pursued her career on her own. Gidan Abinci was her debut movie, and then she starred in Tabo and Barauniya.
In all three of the aforementioned films, she merely had supporting parts. She played a revolutionary role in Mansoor.
Maryam is an adolescent actress in her youth. Despite only being nineteen years old, she appears much younger.
If Shema had arrived on time, maybe the story would have been different. If Maryam’s audition had been held before the other girls, I would have been writing a different piece.
Maryam is significantly shorter than the two actors (Shema and the other girl).
Shema and the other girl have brighter complexions than Maryam, which would have made them a great match for Umar M. Shareef, who has a fair complexion himself.
Maryam stands out from the other actresses, though, primarily because of her sang-froid.
She kept her composure and danced to the fresh music. She improved the more she looked into the camera. Throughout the Mansoor set, she brought forth her new role and pulled herself together.
Maryam got to know everyone and the atmosphere quite well. She was initially overly anxious, most likely due to the nearby individuals.
She was unable to hold back or look at individuals of the quality of Bashir Nayaya or Ali Nuhu without lowering her head.
Additionally, she found it difficult to avoid the customary surprise solidarity visits from well-known Kannywood figures like Usman Mu’azu, Nazifi Asnanic, Kamal Alkali, and Nuhu Abdullahi.
After leaving the cast of Mansoor, Maryam was cast in several forthcoming big-budget films.
She moved between cities, filming more movies in larger roles than supporting parts and ascending a new ladder in life.
She frequently shares photos and short videos of herself from the shoot on social media.
There are occasions when she uses a live video chat feature to interact with her followers while lying down on a sofa or a double bed from the interior of her three-star hotel room.
Maryam Yahaya Movies
Title | Year | Role |
---|---|---|
Wutar Kara | 2018 | |
Tsakaninmu | 2021 | Nafisa |
Tabo | 2017 | |
Sareenah | 2019 | |
Mujadala | 2018 | |
Mijin Yarinya | 2017 | |
Matan Zamani | 2018 | |
Mariya | 2018 | Mariya |
Mansoor | 2017 | Maryam |
Lamba | 2022 | |
Jummai Ko Larai | 2018 | |
Jaruma | 2020 | |
Hikima | 2021 | |
Hafiz | 2018 | |
Gurguwa | 2018 | |
Gidan Kashe Awo | 2018 | |
Gidan Abinci | 2016 | |
Barauniya | 2016 | |
Alaqa | 2021 | Ummi |
Maryam Yahaya Social Media
Instagram: @real_maryamyahaya
TikTok: @maryam__yahaya
Twitter: @realmaryamyahya
Facebook: Maryam Yahya
Maryam Yahaya Instagram
Maryam Yahaya TikTok
@maryam__yahaya
Who Is Maryam Yahaya?
Nigerian actress, well known for Mansoor (2017), one of her roles. On Instagram, she now has more than 2 million followers.
Her first major part was as an actress in the 2017 movie Mansoor.
In 2017, she was one of the nominees for the City People Movie Award’s Kannywood Most Promising Actress of the Year.
Nigeria’s Goron Dutse, Kano, is where she was born.
She is a Nigerian actress who shares a similar style with Funke Akindele.
Which state is Maryam Yahaya from?
She was born in Nigeria’s Goron Dutse, Kano.
Maryam Yahaya Best Photos